Stephen Desmonde is expected to succeed his father as the rector of a rural parish, but Stephen is a sensitive, passionate artist driven by an obsession to discover the beauty in truth. The lack of understanding and subsequent derision from his family results in Stephen leaving for Paris – the hub of all things creative – and then to travel across Spain. He’s a passive character, spurned in love, starved, cheated, forced to take a tough road, and to suffer terribly for believing in his art. Material comforts are sparse but his journey, both artistically, physically, and spiritually, all culminate into a rich and multi-layered experience.
So many great artists are not understood or revered until after their death. Desmonde also falls victim to this stereotype, although arguably some of this down to his pride and lack of interest in material gain. Above all, Stephen Desmonde’s story exposes the flaws of Christian beliefs and the perceived realities of war during the early 20th century. Desmonde and his family are real flesh and blood, as are the many characters who play numerous supporting roles. The depiction of life at Stillwater in England, and of France and Spain are deep and rich without compromising reality.
I was thoroughly engrossed in this book. Cronin is a master of historical detail and perspectives, and manages to extract every ounce of empathy for his protagonist.
Portmeirion is a tourist village in Gwynedd, North Wales. It was designed and built by Sir Clough Williams-Ellis between 1925 and 1975 in the style of an Italian village. I don’t usually like photography in bright sun but a bright blue, continental sky made the perfect backdrop for Portmeirion.