Part Two of Wild Water
Jack Redman, estate agent to the Cheshire set and skilled juggler of complex relationships. Someone to break all the rules, or an unlikely hero? In this sequel to Wild Water Jack and Anna return to discover that history repeats itself. Anna’s long-awaited success as a serious artist is poised to happen, but her joy, along with her relationship with Jack, is threatened by old scores. Simon Banks is a depressed and unstable man with a plan. He wants to wipe out his past by buying a brighter future, but Jack Redman stands in his way. Will Jack ever escape the legacy of lies and deceit left by his ex-wife? Can Jack and Anna hold it all together, or will tragic repercussions from Jack’s past blow them apart forever?
“There is never a lull in the narrative, the plot is allowed to evolve beautifully, and there are some really lovely, light moments which offset the darker elements of the story. All too often sequels can become a bit of damp squib with less on offer than what has gone before, but rest assured that this is not the case with Dark Water.” Jaffareadstoo (top 500 Amazon reviewer)
“The author is skilled in pacing resolutions and reveals, and in peppering the narrative with just enough relatively minor details of the character’s daily lives to make the whole seem credible and true to life. And the climax and its denouement are utterly gripping. There’s also a feeling there’s more to come ––something the epilogue sets up nicely. All very fitting for dramatisation.
The themes of love, disappointment, loss and hope run through this book. The author lets us see them developing through the eyes of both Jack and Anna. She lets us inside their heads and lets us feel their emotions. In this way they become real, flawed and familiar to the reader. Jan Ruth makes the reader care about her characters’ fates. She portrays all the characters––heroes and villains––as credible individuals, so we can even feel sorry for and understand the less likeable ones. And how utterly refreshing to have some older lead characters. Hurrah for this fine example of those of us who’ve matured beyond the ‘chick’ stage and are now older, wiser birds.
This is excellent contemporary fiction. If I had to shelve it in my virtual book shop, I’d put it in the contemporary women’s fiction section. It’s not chick-lit; it’s not Mills and Boon romance. It’s thinking, mature woman-lit and, like its intended readership, it’s got depth, grit, realism and warmth.” Anne Stormont, author.
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