Away for Christmas is about the joy and pain of publishing books, the joy and pain of fractured relationships, and of course, the joy and pain of Christmas itself. The festive period is not always fun for everyone, but most of all, this is a story about staying true to oneself and looking for the real Christmas spirit beyond the baubles and the glitter.
The story is set over three Christmastimes, and because I feel sure you’ll be looking for a few hours of warm and cosy escapism at this time of the year, I can assure you that there’s a happy ending by the time Jonathan makes it to 2017.
Regular readers will know that my characters tend not to be in the first flush of youth, and that the joy and pain of relationships are often par for the course. Christmas is very much a family time and can unearth a multitude of unwelcome emotions and in the case of my character, present plenty of troublesome hurdles before the festivities can be enjoyed. His ex-wife doesn’t always make life easy, but Jonathan is determined to be a better dad, against all the odds.
And finally, the joy and pain of publishing books! There are some great publishers out there, ones who achieve results, look after their authors and understand the industry from the ground up. This story isn’t based on them.
A story for readers and writers. It’s no secret that I’ve been round the houses and back again with regard to writing and publishing. Thirty years ago I used to believe that a good book would always be snapped up by a publisher regardless of genre, style, and content. In the real, commercial world, this just isn’t true. I see on a regular basis, writers excited by offers from vanity publishers, or those who operate under the guise of assisted publishing, not realising the implications until it’s perhaps too late. Even contracts from those real publishers with seemingly no pitfalls or upfront costs, can dissolve into a horribly disappointing experience. Of course, my poor character thinks he’s landed lucky when a small publisher offers him a three-book deal. What could go wrong? If you’ve ever dreamed of writing a book or maybe you’ve just typed THE END to your manuscript, you might think twice about your next step…
Bookmuse Magazine: “If you’re a writer you will laugh, despair and sympathise with Jonathan Jones, and the trials and tribulations he faces as he battles to become a published author. And if you’re a reader, you’ll be captivated by the excellent story-telling that weaves Jonathan’s complicated life into a page turning drama. A real feel good novella, perfect to curl up with on a stormy winter’s afternoon…” You’ll enjoy this if you like: Jojo Moyes, Jill Mansell, Erica James. Ideal accompaniments: Hot chocolate with marshmallows and a plate of shortbread.…
Away For Christmas: myBook.to/Away4Xmas
A circular walk of 5.2 miles including 985 feet of elevation overall. Start Point: The service road off the A55 slipway by Aber Falls Hotel, Abergwyngregyn, Llanfairfechan. LL33 OLP
Map References: 6562572840 or Lat: 53.235540 Lon: -4.014783
An easy circuit taking in Aber Falls. The waterfall is formed as the Afon Goch plunges about 120 feet over a sill of igneous rock in the foothills of the Carneddau range; especially spectacular in full spate after heavy rain or suspended in ice and snow as per the photo: spot the ice-climbers! Abergwyngregyn is a small picturesque village with a long and varied history, located between Bangor and Llanfairfechan on the North Wales Coast, opposite Beaumaris which lies across the Menai Strait. Along the main footpath towards the falls there are several small Bronze Age settlements including an excavated roundhouse and smithy, fenced off with an information plaque. Aber Falls Whisky Distillery is one of only four in Wales, and the first in North Wales since the early 1900s – still using specially crafted Welsh ingredients from the surrounding area.
W.I.T.H – Welsh Institute for Therapeutic Horsemanship
It’s a well-known fact that getting back to nature can offer a healing balm to those minds and bodies disadvantaged by modern life. Jackie Williams has taken this concept a step further by introducing horses to help heal broken people. But what of the broken horses? Her therapy centre on Anglesey (a satellite centre to the main base in Portmadog) is home to a wide variety of equines: abused, neglected, misunderstood. It may sound ambitious and unlikely, but Williams is adept at bringing the right combination of horse and human together, to create new bonds of trust, hope, and mutual respect.
How do animal therapies work? Don’t go looking for scientific evidence or hard facts as to why animal therapies work, they just do. Maybe it’s a sixth sense and only tenable if one is open to the idea. After all, communication is key to all forms of life. We do know that horses are a flight animal, reactionary to body language and more than capable of understanding what’s going on inside someone’s head and heart. Friend, or foe? Their survival instinct depends on being able to monitor situations and either look for a means of escape, or seek those beings who offer that safe harbour, a trusted leader. Trust. Once we have trust, we have the foundation to build good relationships, both human and equine. And rehabilitation can be all the richer for being a two-way journey.
Sapphire’s story. I recently enjoyed a visit to Jackie’s centre, based on Anglesey. The chestnut pony with blue eyes – Sapphire – had been ostracised by the main herds for a long time and wasn’t doing too well. It’s something of a mystery why this mare was shunned, but we think her poor eyesight may have much to do with the herds’ strict list of criteria for survival. After a few months of basic nurturing, ‘Saffy’ has been physically transformed, although she remains shy. Williams is keen to keep her ‘wildness’ and avoid over-familiarity, in order to add genuine authenticity to those therapy sessions.
And finally, so heartening that four more Carneddau colts have been rescued from the yearly Gathering; one of whom was badly beaten-up by the resident stallion and may well have come to a sad demise. These boys will be gelded and rehabilitated before beginning new careers as therapy ponies.
About the charity
WITH is a pioneering charity based in Portmadog, which aims to help disadvantaged individuals from North Wales and the wider community to improve their health and well-being through equine-assisted, educational and recreational activities. We work with individuals of all ages, many of whom face multiple disadvantages and might never have the opportunity to spend time around horses. Our unique method pairs clients with rescued horses for mutual gaining of trust and respect, and hope for a better future.
More information; book a course of sessions, sponsor a pony or become a volunteer: WWW.with.wales
Some programmes funded by Comic Relief and Children in Need.
Words and photography by Jan Ruth
What’s killing the indie author? Writers are sensitive souls often plagued by despondency, worn down by mindless promotion, and the inability to find a reason to not write. So I wrote this…
Do we really need any more books? The enormous volume of material available to download to Kindle alone renders the vast majority of new books coming onto the market, as more or less invisible. The number of books being published has exploded. According to the Bowker Report in September 2016 more than 700,000 books were self-published in the US alone, which is an increase of 375% since 2010. This doesn’t account for commercial publishing, or those 13 million previously published books recently made available to Kindle. Surely, the market cannot absorb this amount of reading matter? The market is completely saturated. https://www.bkconnection.com/the-10-awful-truths-about-book-publishing
The cost of visibility is increasing Readers and new authors might be shocked by the cost of advertising – BookBub is the current most effective site which offers amazing results to authors and publishers – but it comes at a price. It’s not unusual to pay in the region of £1,000 to advertise a single title. Lots of smaller sites have sprung up and they charge considerably less, but of course they don’t command anywhere near the same number of subscribers. Submit to a handful of these sites at £30 to £50 and you can soon be out of pocket. This leaves many authors at the mercy of social media, and at the risk of annoying their followers with mindless promotion. Even the commercial Facebook ‘Page’ has changed to one of pay-as-you-go. Visibility of posts has been severely restricted unless you hit that promo button and start entering your card details.
Free books Publishers have always used the loss-leader approach with free copies, usually in exchange for a review, but not always. Where does this leave the individual publisher? I don’t know any indie author who willingly gifts paperbacks on a regular basis – they cost in the region of £5-£8 to print, depending on where you get them printed, and the exchange rate. This is without factoring in the shipping costs, and not forgetting those small background invisibles such as editing, proofreading, formatting, and cover design. And this is without factoring in the time you’ve taken to actually write the book. The profit from selling a paperback can be as little as £1. Unfortunately, readers are used to browsing a huge selection of free material for Kindle and although print costs can be waived in respect of electronic formats; writing, editing, formatting, cover design, and advertising, is exactly the same as for a print book.
Poor Production Homemade covers and un-edited books give all indies a bad name. They do, but a word of caution. Authors should strive for excellence, not perfection. There is no such thing as a perfectly produced book. This is partly because a lot of the time perfection is subjective to any one individual. Even traditional publishers get things wrong and mistakes slip through. Some bloggers are quick to judge a book purely by the amount of typos, incorrect punctuation or too much padding and waffle. It’s easy to say there’s no excuse for this – and a lot of the time, there isn’t – but I do take a slightly kinder approach, albeit only slightly and I do feel some of the internet Grammar Police out there need taking to task on this and on the errors of their own scribblings. Tut-tut I spotted a run-on sentence once on a blog post written by a particularly over-zealous reviewer. This person ripped a perfectly good book to shreds with their painfully acidic views on punctuation and vocabulary. Let’s get this into some perspective.The overwhelming reason to read a book is to enjoy the story. If the story holds up, i.e. no serious, consistent issues, and I’m entertained, then I can overlook the occasional blooper, that something which takes me out of the story. Story is everything. A missing comma is just that… However, there’s another side to this woolly coin. The vast quantity of poor, unedited material out there gives the conscientious author a bad name the minute he declares himself self-published. Editing at any level attracts a cost, likewise with proofreading; but it’s a vital part of publishing a book for public consumption, and the competition to sell and be seen is at an all-time high, so, why wouldn’t you?
Reviews Another reason to develop a second skin or buy a mouth guard to prevent nightly grinding of the molars. The current product review system employed by Amazon is clearly open to error: One star: totally loved it! Three stars: not read it yet, won’t download. And abuse, on various levels: Doesn’t make any sense, completely unreadable, don’t bother. Reviews which have the power to connect with other readers do help visibility and authors can use them to some effect through social media, but not all readers review books, even if they enjoyed their free or 99p book and would have no hesitation in recommending it to others. The frustration of garnering reader-reviews is real, but then authors can be their own worst enemy. I’ve seen some writers attack readers on social media for posting a low-starred review and going on to label said reader as a troll. (Could it be that they just didn’t like the book? Consider that other potential readers will perhaps read this and back-off reviewing for fear of reprisal or getting it ‘wrong’) And if the review does have a whiff of vindictiveness about it, then surely the most sensible thing to do is to stop drawing attention to it, since this is usually the intent. And then there’s always the option to pay through sites such as Net Galley – the big book giveaway for bloggers and book reviewers in exchange for reviews, although the publisher/author has to pay a handsome sum to be listed. I do think some sites and reviewers have become a bit too powerful, but some authors are desperate enough to pay for a handful of (glowing) reviews – from any source. Amazon have a problem controlling the unethical ones, and their sister site, Goodreads, actively encourages ‘readers’ to simply rate books with no purchase required, or even a simple acknowledgement that they’ve read the book in order to validate the rating. Why not get rid of all the star ratings? If a reader has an opinion about a book, have them write a review using prompts such as characters/plot/setting/ etc. Or, is it time to do away with book reviews completely? After all, we don’t rely on this system in a real bookshop. The sample and the book description should be enough to have us decide if we want to spend our precious 99p (That’s 35p to the author).
Success. Written a best-seller? Great! Now your agent/publisher/annoying little man in your head strongly advises you to write at least two more before the end of the year, otherwise no one will remember who you are and all those knock-on sales will be lost…