Where do ideas come from? Even if I tell myself I’m done with writing for a while – and I do, frequently – something will eventually worm its way out of my subconscious. This mutation of daydreaming is often coupled with observations of other people and happenings in their lives, as well as my own, until eventually all of these considerations are pulled together and mulled over, like some sort of fictional tombola. And for me, it’s those personal stories which add an extra layer of reality to a work of fiction. Write what you know is all about understanding your subject thoroughly, and preferably having experienced some of it first-hand.
I’ve been working with disabled people through my local RDA (Riding for the Disabled) for some eighteen months. Then earlier this year I was offered the opportunity to train as an assistant to a therapist working for WITH (Welsh Institute of Therapeutic Horsemanship). This is all about people with mental health problems, and the astonishing success of equine therapy relies purely upon the interactions between people and horses. I hope my modest experience adds a touch of reality and richness to the story of Gift Horse.
Of course, I’ve touched on horse-whispering techniques, therapies, and mental health issues in the Midnight Sky series, and part of Gift Horse is a natural continuation of that theme, one which this time connects more directly to my main character. Caroline is a product of her sheltered upbringing. In direct contrast her flat-mate, Niamh, is part of a loud, sprawling Irish family – including the gorgeous but licentious Rory O’Connor; Caroline’s nemesis. Unfortunately, Caroline is intent on pleasing everyone except herself, and there’s a price to pay…
Gift Horse is a contemporary time-slip novel about the choices women make, the healing power of horses, and the devastating consequences of human error.
I tend not to plan too much, other than factual things like dates, and timelines. And I don’t have a messy desk with endless notes stuck to my screen or big notebooks overflowing with complicated scribblings. What I do have is a good instinct for the order of things. I think this comes from reading a lot of good fiction and learning why and how something works; what to hold back, when to reveal, how much to tell, what to show, which scene works best as dialogue, or narrative. This balance will be slightly different for every writer, the literary stamp of personal style?
If there’s a parallel to be drawn between trying to break into commercial publishing and staying true to myself as a writer, then for me it’s the creative freedom to write the books I want to write. So many mainstream books are all following the same trend, and some of them feel like different versions of the same book. This might sound a bit like sour grapes (yes, of course big sales would be nice too!) but I think I know I’m not a mainstream author. I actually enjoy going against the grain. I like to let a story grow and mature until it’s ready to be picked from the vine, and there’s a tremendous satisfaction in penning a story which is unique to me.
‘Ruth digs up the bones of what really matters to the human psyche and Gift Horse is no exception.’ John Hudspith, Independent Editor.
Imagine living eighteen years of your life around a mistake…
Caroline Walker’s daughter suffers a horrific riding accident. Her distraught parents wonder if she’ll ever walk again, let alone ride. And when Mollie’s blood group is discovered as rare, her husband offers to donate blood. Except Ian is not a match. In fact, it’s unlikely he’s Mollie’s father.
Eighteen years previously, Caroline had a one-night stand with Irish rock star, Rory O’Connor. Caroline fell pregnant. Deeply flawed boyfriend, Ian, was overjoyed. And Caroline’s parents were simply grateful that their daughter was to marry into the rich, influential Walker family.
Caroline turns to Rory’s friend Connor; and although his almost spiritual connection with his horses appears to be the balm she needs, Caroline cannot forget Rory, or her youth – both lost to a man she never loved. Eighteen years on and after surviving cancer Rory lives as a virtual recluse in the Welsh mountains. Through his well-meaning but interfering sister, he is shocked to discover he has a teenage daughter. Or does he?
Someone has made a terrible mistake… someone is going to get hurt…