In 1959 the four Wilde sisters spend the long hot summer with their aunt and uncle in rural seclusion at Applecote Manor. Five years previously, their cousin, Audrey, vanished, and the mystery remains unsolved. Audrey’s mother tends her daughter’s shrine, and barely leaves the house. And what of their big, blustering uncle who likes to swim with them in the river and was arrested by the police at the time of Audrey’s disappearance, for questioning? A second timeline is set in present day when Jessie and widower Will buy the now neglected, empty Applecote Manor not only to escape the pressure of living in London, but to give Will’s teenage daughter, Bella, a fresh start after losing her mother, and falling foul to bad behaviour. Despite her initial protests, Bella feels an affinity to the missing girl and is curious to discover more. As both centuries slowly collide, the past catches up to the present and the truth about what really happened to Audrey Wilde, is finally exposed.
The overriding strength of this novel lies in the historical setting; the shabby chic era of the well-to-do in the English countryside, plus the naivety of the girls in the fifties, has a charm which really resonated. I thought the contemporary timeline not quite as strong, but both plot lines are cleverly structured between the different eras to bring about a compelling conclusion. It is a slow burn of a story, and from an action point of view, only really gets going in the final 30%. A few too many similes/metaphors in the descriptive passages but overall, an enjoyable slice of escapism.