Cashelmara is loosely based on the lives of Edward I II and III; although this story mostly takes place in late nineteenth-century Ireland, through those troubled times when the country was besieged with famine and uprisings, and frequently at odds with the Protestant Englishmen who owned the estates. An epic, historical saga written from 6 different viewpoints, the story follows the fortunes of three generations beginning with Edward de Salis and his second marriage to his wife’s cousin, a young American, Marguerite. The eldest son from Edward’s first marriage naturally inherits everything on his death: the Irish estate, Cashelmara, plus the beautiful English county mansion where Patrick grew up, and his considerable wealth. Unfortunately Patrick does not inherit his father’s head for business, and although he follows in his footsteps when he marries his step-mother’s American cousin, Sarah, his drinking, reckless spending and gambling looks set to ruin everything. Forced to live humbly at Cashelmara, Patrick spends his time cultivating the garden and perfecting his wood-carving skills, and continues to form intense ‘friendships’ with men rather than pursue a more serious occupation fitting to a gentleman of his class. When the insidious Derry Stranahan becomes intimately involved not only with Patrick, but also with managing Cashelmara’s estate, the rot really sets in. Poor, beleaguered Sarah forms her own, dangerous allegiance with Hugh McGowan, both romantically and otherwise, and before too long the fate of Cashelmara is the subject of a scandalous power struggle giving rise to affairs, betrayal, revenge, and murder.
This is a heavily characterised novel and the structure is superb, allowing one to be fully immersed not only in the narrators head, but in another time and place as the plot is skilfully moved forwards without repeating what we already know, and without revealing all. There is a strong element of psychology allowed to influence character motivation, leaving no doubt that these events happened. Vivid historical detail, the suppression and sexual naivety of women, the super-rich and the super-poor and the iron fist of the church are all incorporated to great affect.